I keep coming back to the DMO ARTS stand at Art Fair Tokyo. The Osaka based gallery is bursting in color. While the middle of the stand with it’s fantastical figures and portraits seem to attract most of the visitors, I prefer the quiet outside wall and alley way separating it from the next booth. There you will find artist Hideo Anze standing next to works from his solo exhibition “FRAMING”. The carefully constructed photographs glow with color which is key to Anze’s work. While the gallery director draws a comparison to the works of Thomas Demand, I rather see the constructivism of Imi Knoebel and the radiance of Dan Flavin. Perhaps my interest is also motivated by the similar radiance found in the works of Silvia Sinha. It’s quickly apparent, that Hideo isn’t fond of such comparisons. He feels quite at home with his own personal space in the realm of conceptual art. Even with a language barrier separating us, it was clear to me that FRAMING is part of a larger discussion that is still evolving. These pieces are sure to be a milestone in the current and very personal work by Hideo Anze. His works will be part of a group show “COGNITION / RECOGNITION” at DMO ARTS from March 8th to April 19th.