Not for the faint-hearted.
Since Project Art Lounge began in 2013, a majority of the artists we support have been women. Michele Schuff, Silvia Sinha, Kamila Najbrtová and Pola Dwurnik are among the artists featured in exhibitions and on www.projectartlounge.com.
The fact that these artists are women really didn’t matter in their choosing as much as the fact that they make great art. Since the 1970’s there has been a lot written about how the “western male viewpoint” in art history has largely ignored the careers of Great Women Artists. In the 1980’s, the Guerilla Girls broadened the discussion of gender bias to highlight how sexism and other forms of discrimination impact art, film and pop culture.
While female artists like Marina Abramovic, Diane Arbus, Tracey Emin and Nan Goldin have achieved considerable fame, only a handful of living women artists including Yayoi Kusama and Cindy Sherman are recognized in the top-ranks of the art world according to Artnet’s Top-100 Living Artists. Despite considerable progress, the subject of sexism and sexual exploitation portrayed by female artists through their work reflect an ongoing reality that requires continued attention.
In a political year dominated by discussions about women and power, it’s worth reflecting on the contribution women artists have made to this important debate. Unlike their male counterparts who often brand themselves as pinnacles of individual strength, many of the strongest voices among female artists have emphasized strength through collaboration and collective action. At the forefront of the movement was the Fight Censorship Group created by artist Anita Steckel, which was as much about freedom of expression as it was about putting forth a feminist agenda.
Like the Fight Censorship Group and the Guerrilla Girls, new groups are keeping the conversation going. At a time where public discourse is increasingly dominated by social media, a refreshing example of real world collaboration is The Fainting Club, an “old boys network for women” founded by L.A. based artist Zoe Crosher. The Fainting Club brings together women artists, writers, filmmakers, musicians and chefs to celebrate their contribution to creative diversity. One recent event references the seminal 1979 artwork “The Dinner Party” by artist Judy Chicago with partygoers participating in a wikipedia edit-a-thon to add 39 new names to our collective historical record.
At the end of the day, by celebrating women – whether consciously or not – Project Art Lounge is happy to support the vision and stories these artists have to share. Their legacy, like the contribution of all women in art, politics and other realms of public life is worthy of our support. In the months ahead, Project Art Lounge, which recently relocated to the New York area, will be creating new ways to connect artists, collectors and supporting institutions. Stay tuned and join the conversation.
Water Abstracts – Silvia Sinha – Video Recap
Domo Arigato to all of the visitors to the exhibition “Water Abstracts” – artworks by Berlin artist Silvia Sinha. Thanks for commenting on the tranquil beauty of these works, which mirror the Japanese aesthetic for calm (odayaka), impermanence (mujō) and the essence of minimalist order (kanso). Enjoy this recap. If you like what you see, think about adding Silvia’s works to your collection. Contact Project Art Lounge for details.
Creative Collaboration at Hikarie 8/
Creative collaboration is in the DNA of Hikarie 8/ – the “Shibuya style” marketplace that has become a meeting point for fans of art and design in Tokyo. Located on the 8th floor of the Shibuya Hikarie building, the panorama windows offer a great viewing spot overlooking the 3 million people who pass through busy Shibuya Station every day. It is also the perfect place to see “Water Abstracts” – an exhibition of photographic artworks by German artist Silvia Sinha. In painterly images, Silvia captures the light and flow of Berlin, which similar to Tokyo is full of energy and vitality. By depicting a city reflected in rippling bodies of water, Sinha conveys a sense of tranquility as well as the fleeting nature of the urban landscape. “Water Abstracts” – Silvia Sinha runs through Sunday, November 22nd.
Tokyo Photo Show
Just as the Paris Photo Show opens its doors to international artists next week, Project Art Lounge is pleased to present the works of European photographer Silvia Sinha at one of Tokyo’s most innovative art and design spaces. Following an invitation-only preview earlier this year, “Water Abstracts” by Berlin based Silvia Sinha will be on display from November 19-22, 2015 at Hikarie 8 / Creative Lounge across from the busy Shibuya station.
Like Hiroshi Sugimoto’s Seascapes, Silvia Sinha takes us on a “voyage of seeing” in her series “Water Abstracts”. In photographs which the artist likens to “painting on the water’s surface” Sinha captures the ever changing light and flow (光と流) of the urban landscape.
Silvia Sinha’s recent works were featured in the European Month of Photography in 2014 in Berlin and at international exhibitions in Basel, Switzerland and Tokyo.
ベルリン拠点の写真家、Silvia Sinhaによる「Water Abstracts」シリーズでは、杉本博司の 海景と同じように、我々を「眺めの旅」に誘います。今回、Project Art Loungeが紹介する展示はSinhaの捉えた、常に変わり続ける都市風景の「光と流」というテーマです。 アーティスト自身が写真を「水面上に描くペインティング」のように捉え、都市風景をシンボルとして、陸封メトロポリスの活気を表す作品です。
Creative Lounge MOV aiiima 3
Project Art Lounge (www.projectartlounge.com)
“Still ruht der See” – the end of a great exhibition!
Thank you to everyone who visited the exhibition “Water Abstracts – Photographs by Silvia Sinha” presented by Project Art Lounge in Tokyo. In case you missed it, here’s a look back at the event.
Firewalls – Brandmauern
Visitors to the Project Art Lounge exhibition of Water Abstracts – Photographs by Silvia Sinha also got a sneak preview of her new series entitled “Brandmauern” or Firewalls. Like her water photographs, these are images of change and transformation. By capturing the rough and sometimes colorful exteriors of exposed sustaining walls – occasionally outlining a once neighboring building – Sinha not only demonstrates her painterly eye for detail, she also documents the ebb and flow of the city. As Berlin continues to transform and evolve, these urban vistas will also change and many will even disappear. Their lasting image, however, is thoughtfully preserved with Silvia Sinha’s photographs.
Silvia Sinha’s Brandmauern series was featured in the 6th European Month of Photography exhibition at Carpentier Galerie in Berlin. They will also be the subject of a museum show at Museum St. Wendel from September 13 – November 1, 2015 in Saarland.
A number of her “Firewalls” photographs can be viewed in the Firewalls album on her Facebook artist page.
Exhibition: WATER ABSTRACTS – Photographs by Silvia Sinha
Thank you to everyone who visited the “Water Abstracts” exhibition featuring photographs by Berlin artist Silvia Sinha. For another look at the artworks on exhibit, click here. Please contact Project Art Lounge below if you have any questions about Silvia Sinha, are interested in adding Silvia’s work to your collection or simply want to be added to our newsletter.
“Mystery of mysteries, water and air are right there before us in the sea. Every time I view the sea, I feel a calming sense of security, as if visiting my ancestral home; I embark on a voyage of seeing.”
In the exhibition Water Abstracts, Silvia Sinha takes us on her own “voyage of seeing.” In this second exhibition of Silvia Sinha’s works presented by Project Art Lounge, the artist explores not the seaside, but the concrete jungle of Berlin. While Sugimoto contemplates the co-existence of water and air as the source of life, Silvia’s photographs reflect upon the other elements of light and flow – 光と流 – hikari to nagare. In the middle of a big city, she studies how water gives life to the urban landscape by capturing the fleeting contours of the cityscape as they are reflected on the water’s surface.
In thriving metropoles like Berlin and Tokyo, it can be difficult to find the calm places and moments of reflection that are embodied in Sugimoto’s seascapes. Silvia Sinha’s photographs remind us that the flow of life – both tranquil and dynamic – are in front of us every day. Her work is not the result of a snapshot or a chance encounter. Instead, like the work of other artists, her’s is the result of long periods of observation and introspection. In Silvia’s own words, her artwork “arises out of a very contemplative process that requires a high level of attention and a lot of time. Seeing and composing on the spot is from the perspective of the visual arts an important basis of my work.”
In her series Water Abstracts, Silvia Sinha continues to build her portfolio of abstract photographs, which were also presented by Project Art Lounge in the exhibition LIGHT BREAKS in Basel, Switzerland. Like her series about “Firewalls” in Berlin, Water Abstracts symbolizes the ever changing flow of the urban landscape. Her photographs are presented as a canvas that is neither literal nor without meaning. Silvia Sinha: “What I see is a painting on the water’s surface – one of vivid shapes and colors – which gains in abstraction through my deliberate focus, while it’s subject develops an entirely new vitality.”
Hideo Anze: Colorfully Contemporary
I keep coming back to the DMO ARTS stand at Art Fair Tokyo. The Osaka based gallery is bursting in color. While the middle of the stand with it’s fantastical figures and portraits seem to attract most of the visitors, I prefer the quiet outside wall and alley way separating it from the next booth. There you will find artist Hideo Anze standing next to works from his solo exhibition “FRAMING”. The carefully constructed photographs glow with color which is key to Anze’s work. While the gallery director draws a comparison to the works of Thomas Demand, I rather see the constructivism of Imi Knoebel and the radiance of Dan Flavin. Perhaps my interest is also motivated by the similar radiance found in the works of Silvia Sinha. It’s quickly apparent, that Hideo isn’t fond of such comparisons. He feels quite at home with his own personal space in the realm of conceptual art. Even with a language barrier separating us, it was clear to me that FRAMING is part of a larger discussion that is still evolving. These pieces are sure to be a milestone in the current and very personal work by Hideo Anze. His works will be part of a group show “COGNITION / RECOGNITION” at DMO ARTS from March 8th to April 19th.